Let the Battle Commence: The Rejection of Female Stereotypes and Construction of Strong, Multifaceted Women in Ninette de Valois’s Checkmate (1937)
pp.1-13 (pdf, 293KB)
Más Flow Dance Company: The Cultural Logics that Squeeze Too Tight
Tula Breann Strong
pp.14-22 (pdf, 278KB)
Negotiating the Narrative Themes of Traditional Ghanaian Dance Forms within the Museum Context
Eric Baffour Awuah
pp.23-33 (pdf, 303KB)
Identifying and Developing Talent in Contemporary Dance
pp.34-43 (pdf, 278KB)
Two Reflections on Dance Photography:
When Flying is the Least of My Risks
Photo essay by Eulanda Shead
pp.44-46 (pdf, 4.4MB)
Photo essay by Lauren Van Gijn
pp.47-50 (pdf, 5.8MB)
Plasma (Danny Lucien Reid, 2015) performed by Haeyeon Lim and Songhay Toldon at Brixton Studios, London. Photograph © 2015 James Norman/Creative Hitman Photography. All rights reserved. Used with permission.
Editorial Team: Issue 2
- Co-Editors: Chris Jones and Hakan Redjep
- Editorial Board: Ryan Rockmore and Kyle Bukhari
The editors sincerely thank the peer reviewers who gave their time and expertise to Issue 2.
Mōtiō: Postgraduate Journal for Dance Practice and Research is published by the Department of Dance, University of Roehampton, Roehampton Lane, London SW15 5PJ, UK.
Mōtiō Issue 2 © 2016 Department of Dance, University of Roehampton, London. Authors and photographers retain copyright of their contributions.
All rights reserved. No part of this journal may be reproduced in any form or by any means, electronic or mechanical, including photocopying, or by any information storage or retrieval system, without prior permission from the copyright holders.